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Proper song title capitalization, files are named '00 title' (track#-space-songtitle) Proper ID3 tagging for artist, album, year, genre and title The following pertains to every upload, old or new:ģ20kbps CBR MP3 format ripped from compact disc or transcoded from lossless source Jay-Z and Kanye West - Watch the Throne (2011 Information= See a fake upload? Report it at SuprBay and we'll take care of it asap :)Ĭheck out the new PirateWiki! Share a wealth of knowledge with pirates everywhere :) MEDIA INFOĬomplete name : Justin Timberlake - Suit & Tie ft. The song serves as Timberlake's highly-anticipated musical comeback following a six-year hiatus, during which time he pursued an acting career and developed his skills as a record producer and songwriter for other artists. It was written by Timberlake, Timothy "Timbaland" Mosley, Shawn "Jay-Z" Carter, Jerome Harmon, James Fauntleroy, Terrence Stubbs, Johnny Wilson and Charles Still and produced by Timbaland, Timberlake and Harmon. "Suit & Tie" is a song recorded by American singer Justin Timberlake from his third studio album, The 20/20 Experience (2013). Jay might fade to black after this one but his last shot doesn't miss. Newcomers Aqua and the Buchanans represent well also but Eminem's minor-key drone for "Moment of Clarity" is mired in mediocrity. Still, he's rarely been more incisive or insightful in his rhymes, exposing his own childhood struggles on songs like "December 4th" while slapping at his haters with "What More Can I Say" and the cutting "Threat." Longtime Jay-Z collaborators Just Blaze and Kanye West churn out outstanding production, especially Blaze, whose beats for "December 4th" and "Public Service Announcement" are among the album's best. Jay-Z is defiant and defensive here-he's trying to make sure his legacy is properly acknowledged, although he can get a bit heavy-handed at times. While it probably won't be remembered as his best album, The Black Album is his most personal to date and features some of his most compelling writing. If The Black Album is truly Jay-Z's last statement before retirement, he at least goes out near the top of his game. The only issue that's puzzling about The Black Album is why one of the best rappers needs to say goodbye - unless, of course, he's simply afraid of being taken for granted and wants listeners to imagine a rap world without him. And he can rock with the best as well, working with Rick Rubin on a cowbell-heavy stormer named "99 Problems" that samples Billy Squier and outrocks Kid Rock.
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On "Moment of Clarity," he lays it out with an excellent rhyme: "If skills sold, truth be told, I'd probably be lyrically Talib Kweli/Truthfully I want to rhyme like Common Sense/But I did five mil, I ain't been rhyming like Common since." The first single, "Change Clothes," is much more interesting than the lightweight club hit it sounds like, a keyboard-heavy pop sequel to the Neptunes' "Frontin'" (the anthem that rocked the summer of 2003, and his last collaboration with professional beat-maker and amateurish falsetto Pharrell Williams). The other top track, "What More Can I Say," opens with Russell Crowe's defiant "Are you not entertained!?" speech from Gladiator, then finds Jay-Z capping his career with another proof that he's one of the best of all time, and a look into what made him that way: "God forgive me for my brash delivery, but I remember vividly what these streets did to me." He also goes out with a few words for underground fans who think he's sold too many records for his own good. The back history begins with the first song, "December 4" (his birthday), on which Carter traces his life from birth day to present day, riding a mock fanfare and the heart-tugging strings of producer Just Blaze, along with frequent remembrances from his mother in This Is Your Life fashion. As he has in the past, Jay-Z balances the boasting with extensive meditations on his life and his career. After the immediate classic The Blueprint found him at the peak of his powers, and The Blueprint┬▓: The Gift & the Curse came as the most deflating sequel since Star Wars: Episode I, his follow-up (and possible siren song) impresses on the same level as the best of his career. For years Shawn Carter has been the best rapper and the most popular, a man who can strut the player lifestyle with one track and become the eloquent hip-hop everyman with the next, an artist for whom modesty is often a sin, and yet, one who still sounds sincere when he's discussing his humble origins or his recurring doubts. If The Black Album is Jay-Z's last, as he publicly stated it will be, it illustrates an artist going out in top form.